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About us
Love in Frame (Miłość w Obrazie) grew out of a simple conviction. The most beautiful things happen when nobody is hurrying them along. It is easier to be yourself then. And easier to remember it.
For years we worked on projects for companies and events under Picture Production (Produkcja Obrazu). That gave us experience. It taught us to stay calm even when a great deal is happening at once. It also taught us to pay attention to people and to detail.
The natural next step was to create a place where all our attention goes to you. To relationships. To presence. To what is real.
That is how Love in Frame (Miłość w Obrazie) came about. Wedding photography and film built on closeness. On calm. And on being genuine.
We do not direct the moments. We are right there — attentive and present. We notice without interrupting. We help only when you ask.
Who we are
We are a team of photographers and filmmakers. We work together so that your day is told calmly and truthfully. Without excess. Without grandeur.
Each of us has a different temperament. But one thing unites us: attention. Respect for emotion. And respect for what your day really looks like.
The team
Maja Dzwoniarska — Camera operator and content creator
Maja keeps order when there is a lot on your mind. She helps arrange the day so that everything has its rhythm. She makes sure you feel looked after. In the film she keeps the story simple and true.
She combines sensitivity with organisation. Thanks to that the day can flow calmly, even when a great deal is happening. We do not turn it into a “production”. We make room for you and for what is really happening.
During the photography and filming she is attentive but never intrusive. She suggests only when you ask for help. She leaves space for emotion. And when it is needed — she helps you find your breath again.
Nikola Rogowska — Photographer and content creator
Nikola is a photographer and the creator of the SZUM brand. She focuses on documentary work and emotion. She likes quiet and light that does not shout. She is attentive to detail, but she always starts with people.
In Love in Frame (Miłość w Obrazie) she is responsible for wedding photography. She is there for the most important moments. She can disappear when that is what is needed. And come back exactly when something matters.
Her style is naturalness, light and the relationships between people. She captures them subtly, without straining the moment. What matters to her is that you are yourselves in the frame. And that the photographs do not date after a few seasons.
Karol Szmytka — Photographer
Karol combines a documentary approach with a sensitivity to light. He likes simple frames and good composition. He is not looking for “effects”. He is looking for what is true.
He has been part of Picture Production (Produkcja Obrazu) for years. He has worked on projects for companies and events. That gave him a steadiness in the way he works. At weddings it shows as confidence and an absence of chaos.
In Love in Frame (Miłość w Obrazie) he focuses on emotions and relationships. He likes the small moments that are easy to miss. A brief glance. A handshake. Years later those are often the most important pictures.
Dawid Dobroczek — Camera operator
Dawid is a camera operator who likes a cinematic calm. He has worked on all kinds of projects — from corporate work to event coverage. That taught him to make quick decisions when they are needed. And to be patient when a moment is worth waiting for.
He has been part of projects under the Picture Production (Produkcja Obrazu) name for years. He keeps the story coherent. He looks after a pace that does not lose the emotion. Thanks to that the film is not a collage of shots but a story.
In Love in Frame (Miłość w Obrazie) he focuses on telling a story about closeness. Without directing. Without artifice. With enough care that you feel it is really you.
How we work
1. We get to know each other
We talk about your hopes and about how you want to feel on the wedding day. We listen to your story. We ask about the people you want close to you. And about the moments you most want to remember.
2. Preparations
Before the wedding we go through the places and moments that matter to you. We agree where it is worth being early. We settle whatever can be settled. And we leave the rest to life, because the best things often come on their own.
3. The wedding day
On the wedding day we are discreetly present. We record genuine emotion and natural gestures. We do not intervene. We do not stage things.
4. Post-production
We choose the frames that carry emotion with care. We build them into a coherent story. We watch the rhythm and the breathing room. Every photograph and every frame of film passes through our hands.
5. Delivery
We deliver the finished material in a convenient form. One that is easy to come back to. Easy to show your family. And easy to keep safely for years.
Frequently asked questions
What is your style — documentary or posed?
We work in a documentary way. Discreetly, without directing the moments that matter.
When there is room and a need for it, we suggest gently instead of posing you.
From what time to what time are you there on the wedding day?
From the ceremony to the end of the reception.
Package I: until 1:00, package II: until 2:00, package III: until 3:00 (photo and film).
Civil ceremony package: the ceremony and 4 hours of the reception.
Do the packages include the preparations and the blessing on the wedding day?
Yes — in every film package and in the Photo I, II and III packages.
The civil ceremony package starts with the ceremony.
Who will be with us on the wedding day?
Photo: 1 photographer in the civil ceremony package and in Photo I, 2 photographers in Photo II and III.
Film: always 2 camera operators.
How do the photography packages differ?
In how much of the day is covered, the number of photographers and the number of photographs.
They also differ in the extras: an engagement / save the date session, an outdoor session after the wedding, an album and photographs on film (in Photo III).
The civil ceremony package covers the ceremony and 4 hours of the reception.
How do the Film I, II and III packages differ?
In how much of the day is covered, the length of the film and the length of the trailer.
They also differ in the outdoor session after the wedding, the drone, short Wedding Content Reels and the 360 photo booth (in Film III).
Which packages include an engagement / save the date session and an outdoor session after the wedding?
Packages II and III — both photo and film.
How many photographs and how long a film will we receive?
Minimum: 200+ / 500+ / 700+ / 900+ photographs in the civil ceremony package / Photo I / II / III.
Film: 20–40 / 40–60 / 60–75 minutes in Film I / II / III.
Do the packages include a drone, interviews and a trailer?
Interviews and a cinematic trailer are in every film package.
The drone is in Film II and III.
In what form do you hand over the material, and how long do you keep it?
We hand it over online and on a USB drive.
We keep the material with a lifetime backup.
What does the album in the top package include, and how much does an extra one cost?
In Photo III the album has 40 spreads and up to 80 photographs.
An additional album (30 spreads, up to 60 photographs) costs 1200 zł.
What will we receive within 72 hours for social media?
Photographs: 5–10 in Photo I, 10–15 in Photo II, 20–40 in Photo III.
In the film packages there are short Wedding Content Reels instead (Film II and III).
What are the prices of the photo and film packages?
Photo: 3 000 / 4 500 / 7 000 / 9 500 zł (civil ceremony package / I / II / III).
Film: 5 500 / 8 500 / 12 000 zł (I / II / III).
Can the packages be adjusted to suit us?
Yes. We treat the packages as a base and adjust the scope and the price to what you need.
How does the -5% discount for publication work?
If you agree to publication, there is -5% on any photo and film package you choose.
It adds up with the 10% discount for a photo + film package — 15% in total.
How do the deposit, the remaining payment and unforeseen situations work?
Deposit: 25% (within Poland) / 50% (abroad).
Payment deadlines and the rules for changing the date are set out individually in the contract.
When do you hand over the complete photo and video material?
It depends on the season and the amount of material. We work calmly, without rushing, and we let you know along the way where we are.
Film: low season (November–April) up to 3 months, high season (May–October) up to 6 months.
Photo: low season (November–April) up to 1.5 months, high season (May–October) up to 3 months.
Can you work in different locations?
Yes, we travel to different places across Poland.
Let us know where you are planning the ceremony and the reception — we will sort it out simply and without stress.