Offer

We meet before the wedding, in a place where you feel good. We talk. We walk. We take photographs or make a short film.

It is not a “dress rehearsal". It is a calm way of getting used to the camera. Thanks to that there is less tension on the wedding day. And a few frames often end up on the invitations or the wedding website.

That morning has a rhythm of its own. Make-up. Cufflinks. Trembling hands and a deeper breath before leaving.

And then the blessing — often the quietest, most intimate moment of the day. We are close, but discreet. We do not stop anything. We do not interrupt. We leave you space.

From “I do" to the last dance. We stay until 1:00, 2:00 or 3:00 in the morning — depending on the package. In the civil ceremony package we are there for the ceremony and 4 hours of the reception. We work in a documentary way so as not to distract from your day. And we catch what really happens.

There are the obvious shots: the vows, the first dance, the people closest to you. And there are the “in-betweens": glances, brief laughter, quiet emotion. Those are the ones that most often come back years later. That is why we pay attention.

A short moment just for you — between the ceremony and the reception. We step out for a few minutes. We catch our breath. You come back to yourselves.

No long posing and no disappearing for an hour. In daylight everything is simpler. It is often then that the closest frames come about. Because it is quieter.

A full session after the wedding. No clock overhead. No guests waiting at the table. No thought of “we have to get back".

We choose a place and a time that suit your mood. We can travel further or stay close. You can relax — the most important part has already happened. All that is left is being together.

We also work abroad. If you are planning the ceremony and reception outside Poland, we add 10% to the package price.

Travel and accommodation costs are agreed individually, depending on the location. Let us talk through the details.

It is an album you can hold. Open on the table. Show your parents and grandparents. Come back to on a winter evening.

The package includes 40 spreads and up to 80 photographs. We choose them together, unhurried. The layout has its own rhythm, like a small story. It stays for years.

A few photographs within 72 hours of the wedding. Not everything at once. More of a small taste. The kind that is good to send to those closest to you.

It helps while you are still in the feeling of it. While the phone is still ringing. When you want to say “it was a beautiful day" without a long wait. The rest of the material is made at a calm pace.

Short reels edited on the wedding day itself. A few shots. A few seconds. A mood that stays.

You can post them before the guests have left. Or keep them just for yourselves and send them to those closest to you. It does not replace the film. It is a small flash of memory from that same evening.

Guests speak to the camera: wishes, memories, laughter and emotion. Sometimes a sentence that goes straight to the heart. Sometimes a joke that eases the tension. It can never be planned.

We gather it calmly, without loud “set-ups". We ask gently. We give people a moment. And then those words stay in the film like a letter from your people. Years later they sound stronger still.

The whole day in half a minute to three minutes — depending on the package. Rhythm. Smiles. A few strong moments that hold it all together. A quick way back into the feeling.

A trailer works beautifully when you want to show people close to you “how it was" without a long screening. You can also keep it just for yourselves. It is not a summary made for its own sake. It is a small story of its own.

We work with several cameras so that we have different perspectives on one moment. Then we bring it together in the edit. Sometimes we speed things up. Sometimes we slow them down.

Slow motion is not an “effect for its own sake". It helps you feel the weight of a moment. To leave room to breathe. And to hear the emotions that are easy to miss in the rush of the day.

A few shots from above: the ceremony site, the surroundings, the road, the space. It shows the context. It gives the film a moment to breathe. It helps convey the scale of the day.

We do not turn it into a spectacle. We fly when the weather and the place allow. Drone shots work well to open or close a story. And they stay in memory as the backdrop to your “here and now".

A photo booth that makes short films in a full 360-degree turn. Masks, costumes and props are included. Guests can play and create keepsakes.

The films come to you with the rest of the material. It is an extra that lifts the evening and stays as a small memento of the fun. Minimum three hours of work.

We also shoot part of the day on film. With old SLR cameras, focused by hand. A roll has 36 frames, so there are no bursts and no second attempts. The film is developed in a lab, and we edit the scans ourselves. You get the photographs together with the rest of the gallery, and the negatives in sleeves to keep. Colour and grain look different here than in digital. Warmer and less predictable.

We bring a set of costumes, masks and small props to the wedding. Guests reach for them whenever they feel like it, and we photograph and film whatever happens. You get it free of charge if you book both photography and film with us, each in package II or III.